This humorus, serious, and sometimes disarming collection of photographs, is Ward's visualization of human-non-human-animal studies (HAS), known as anthrozoology.

Oaxaca, Mexico, City and State provide inquiry situations, of people in their culture, and architecture, black and white and color, 2017.

Cactus highlited by sun and moon in their native deserts across the world, South Africa, New Zealand, America, Agave, Century, Yucca, Joshua Tree, Quiver Tree, Saquaro, in black and white, 2010 to 2020.

Portraits of construction workers, often immigrants, unseen by those hiring them, black and white.

Social commentary reflecting on changing times, culture, people, animals, and the landscape of South Africa, 2014, color, black and white.

Native American ceremonial and religious dances from the Ohkay Owingeh Pueblo, New Mexico, 2008 to 2021. Deer Dance, Matachine Dance, Commanche Dance, Buffalo Dance, black and white.

Mexico Road-tripping, people,landscapes,cities, San Miguel de Allende, Creel, Copper Canyon, Batopilas, Cerocahui, Taxco, Mata Ortiz, black and white, 2012.

New Zealand, north to south Islands, road-tripping the landscapes, seascapes, and villages, people and culture, 2011in color.

Buenos Aires, its people, culture, tango, music, architecture, gauchos, black and white.

Transitional show of Ward Russell morphing from cinematographer to fine art still photographer, black and white, color. 2008

Exploring St. Petersberg, Moskow, Russia and villages in between, culture, architecture and people, crusing on the Volga River, 2007, color, black and white.